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逆光与凝望

逆光与凝望

开幕时间:2021/07/03 19:00

开始时间:2021/07/04

结束时间:2021/08/28

展览地点:沪申画廊

展览地址:成都高新区盛通街16号天府长岛29栋2号

参展艺术家:迟阿娟、陈曦、董瑾、邓筱、董小闻、符曦、郭建婷、郭燕、何琳琳、胡顺香、蒋兴、蒋雨、康妮 、吕康佑、骆莉、 罗敏、李如碧、孙嘉旋、吴江涛、王瑋、王小双、小满、熊璇、谢正莉、杨柳、袁晓天、赵欢、雷、曾妮、朱可染

主办单位:沪申画廊

  世界总有遗憾,她们常被批判,理解与冰释总是姗姗来迟,于是她们变得越发坚强。发声者不是观念和标准的代言人,她们接受,但不盲从;她们世俗,但不取悦。透过浮光,看到世事的沧桑,感受内心的满足:在光怪陆离的世界里,不屑于站队道德立场,只做纯粹的自己。有梦,但无需太大,要成功,但美在更多可能性。任由心动,凝视人生。
The world looms with regrets. She, the tar-get of crit-i-cisms, is forged strong by her con-stant encoun-ters of belat-ed under-stand-ing. The one who speaks, is not emblem-at-ic of con-cepts and stan-dards. She acknowl-edges but does not con-form. She lives in the mun-dane but remains unseized. Look-ing-be-yond the vicis-si-tudes of the world and through its glis-ten-ing lights, she-feels her heart graced by seren-i-ty. She stands unhinged on moral grounds,attests to her-self in this tan-gled world. She embraces all aspirations,regardless of the mag-ni-tude; and looks for-ward to suc-cess for the wealth ofprospects it car-ries. The heart stirs unat-tached while the gaze rests upon-life.

  女性需要一种全新的生存文化,让她们的生命之旅享有更多机会,和多样性。那么,该如何打造这种文化?相信最重要的,是必须与朋友、同事、家人携起手来,共同打造一个全新的文化社区——既认可现有文化提出的远大目标,又承认实现目标的途径不止一条。无论如何,当下社会对女性的要求都要更高。有一个故事,一个5岁的小女孩参加完课外活动后,沮丧地回到家,跟妈妈说她和她喜欢的男孩都想当宇航员,妈妈不明白为什么这会让她困扰。小女孩回答说,如果我们一起上太空了,谁来照顾我们的孩子呢?一个5岁的孩子,就已经认为飞上太空最大的挑战就是如何照看孩子了。女孩在很小的时候,就明白今后要在发展事业和照顾家庭之间做出选择,这种想法,将决定女性在事业上是否能够全力以赴。养儿育女,就是养育社会本身,是一项崇高但是没有收益的事业。社会由家庭组成,使家庭和谐,女人起到重要作用,社会因此和谐。女性的特质,使她们更崇高,并成为一种宗教:女性是爱情的火种,是家庭的根基,是未来的摇篮。即便如此,社会一方面对女性是宽容的,另一方面也是苛责的,她们常感进退两难。
Women need a new liv-ing con-struct; one-suf-fice of oppor-tu-ni-ties and diver-si-ty for their life jour-neys. The ques-tio-n-is, how? It is cru-cial to enlist help from fel-low peers, col-leagues, and kin-sto estab-lish a new com-mu-ni-ty for this cul-ture— one which iden-ti-fies with thecom-mon goal pro-posed by our cur-rent cul-ture and agrees that there are mul-ti-plepath-ways to real-ize this. After all, the mod-ern every-woman is des-tined with-overt-ly high expec-ta-tions from soci-ety. There is an anec-dote to this— afive-year-old girl appeared deject-ed after return-ing home from her school-cur-ric-u-lar activ-i-ty. She told her moth-er about her and her crush’s dreams tobe-come astro-nauts. Her moth-er did not under-stand why that would upset her. Towhich the girl replied, “if we are in space togeth-er, who would be there-to look after our child?” At the ten-ta-tive age of 5, the girl fig-ures the-great-est chal-lenge that awaits her in space is actu-al-ly her role of parental-re-spon-si-bil-i-ties. At a young age, girls already under-stand that their deci-sion-be-tween career and fam-i-ly would ulti-mate-ly deter-mine the extent of theird-e-vo-tion toward their career. The aspect of rais-ing a child is equiv-a-lent torais-ing soci-ety itself; it is a noble task for a non-com-pens-able cause. When welook at our soci-ety, the fam-i-ly func-tions as its basic unit, and since wom-en-hold the key to cul-ti-vat-ing fam-i-ly har-mo-ny, they are the ones who ensure our-so-ci-ety’s sta-bil-i-ty and well-being. In essence, it is their inher-ent fem-i-ninequal-i-ty that makes them noble and divine. They are the spark to pas-sion, the-foun-da-tion to fam-i-ly, and the cra-dle to the future. Nev-er-the-less, soci-ety’s-para-dox-i-cal treat-ment toward women— being benev-o-lent and crit-i-cal— has ren-deredthem into a state of immo-bil-i-ty.

  追求完美,但拒绝完美主义。自我克制,但不隐藏真实的自我。不为迎合他人的肯定目光,而去学习自我伪装。即使她们明明知道,女性哲学、女性语言学、女性宗教和女性政治,都需要女性即要考虑男性的感受,又要照顾内心的需求,来建构属于自己的独特文化。
Wom-en’s pur-suit ofthe ide-al is nev-er about per-fec-tion-ism. Nor is their sense of self-mod-u-la-tio-nan attempt to hide their true selves. Instead of oth-ers’ val-i-da-tion, they-choose to dis-guise them-selves despite know-ing all too well that in an effort tobuild a cul-ture unique-ly theirs, they face a rig-or-ous equa-tion of cater-ing tothe male ego and rein-forc-ing their own needs across the dis-course ofphi-los-o-phy, gen-dered lan-guage stud-ies, reli-gion, and pol-i-tics.

  世界需要艺术,艺术需要女性。女性具有与男性同等的智力和创造能力,女性情感细腻,沟通能力更强,而为了成为艺术家,女性需要坚持不懈,并付出比男性更多的努力。
The world need-sArt as much as Art needs women. Both men and women share the same lev-el ofin-tel-li-gence and inno-v-a-tive-ness; in any case, it is women who are moreemo-tion-al-ly sen-su-al and elo-quent in their com-mu-nica-tive abil-i-ties. Yet, unliketheir male coun-ter-parts, female artists are tried much more for their-per-se-ver-ance, resilience and hard work.

  女性最大的阻力不是来自外界,更多的是自己制造的内心障碍。来,让我们一起,向前一步,找到可以安放内心的群体,彼此轻松惬意的相处,以沙龙的形式自由探讨艺术、文化、时尚、哲学等话题,让更多的人了解女性和女性艺术家,从而更好的平衡事业和生活,这是本次展览的意义所在。
Her biggesto-b-sta-cle comes not from exter-nal forces; rather, she is haunt-ed by her ownan-guish. Hence, in light of this exhi-bi-tion, let us come togeth-er and ven-ture-for-ward in the search for a warm and wel-com-ing col-lec-tive, where we can-con-verse at ease about Art, cul-ture, fash-ion, and phi-los-o-phy in the form of asa-lon, advo-cate a bet-ter under-stand-ing of the female iden-ti-ty and femaleartists for the pub-lic, and there-by achieve a fin-er bal-ance between career andlifestyle.

  一方面接受世俗禁锢,一方面肩负社会期望,女性们迎难而上,毫不退缩。所谓岁月静好,即是冷暖自知,悲欢自渡。这,也是《逆光与凝望》所表达的精神内核。
Women arerisk-tak-ers who can bear the dif-fi-cul-ties of sec-u-lar con-fine-ments and soci-ety’-s-ex-pec-ta-tions with great for-ti-tude. In the tran-quil-ness of pass-ing time, per-hap-son-ly the indi-vid-ual who wit-ness-es his/her own eclipse could savour thebit-ter-sweet-ness that dwells with-in. Such is, thus, the spir-i-tu-al core of “Incan-des-cence and in Gaze.”

曾妮,《侥幸地暂留2》,纸本水彩 ,32x41cm,2018

陈曦 ,《桃子》,纸上色粉, 68x63.5cm ,2018

迟阿娟 ,《女孩》,摄影, 75x60cm ,2017

邓筱 ,《思维空间系列》,装置,不锈钢, 250x50x60cm,2015

董瑾 ,《荼蘼》,布面油彩, 直径110cm,2014

符曦 ,《涛涛万顷动风色》,布面油画 , 80x50cm,2018

郭建婷 ,《门No.30》,布面油画 , 120x180cm,2016

郭燕 ,《寻光之夜》,布面油画 , 100x150cm,2017

何琳琳 ,《洪流》,布面丙烯 , 40x30cm,2019

胡顺香 ,《遛云No.3》,布面油画 , 直径40cm,2021

蒋兴 ,《茂盛的一天》,铜、木板,丙烯 , 44x40cm,2020

蒋雨 《雁渡》-100x120cm-布面丙烯- 2015年作品

康妮 ,《融器》,布面油画 , 150x120cm,2010

雷,《静物》,色粉 ,50x65cm,2017

李如碧 ,《女人》,雕塑,不锈钢、综合材料等, 56x53x113cm,2018

罗敏 ,《蜻蜓2》,纸本设色, 42x27cm,2020

骆莉 ,《玄秘5号》,木板油画, 直径15cm,2021

吕康佑 ,《爱将要去哪里NO.15》,纸本水墨综合, 62x76cm,2020

逆光与凝望 海报 定稿

孙嘉旋 ,《量子场NO.30》,纸本水彩, 78x106cm,2017

王瑋,《蓝》,纸本, 129x65.5cm,2017

王小双,《都市心绪》,布面丙烯, 40x40cm,2015

吴江涛,《fall in love》系列34,布面油画, 150x100cm,2021

小满,《无题》,布面丙烯, 25x30cm,2009

谢正莉,《琉璃之影》,布面油画 , 100x80cm,2015

熊璇,《逆羽》,布面油画 , 80x80cm,2021

杨柳,《不朽》,布面油画 , 60x80cm,2013

袁晓天,《火花》,装置,不锈钢金属 , 尺寸可变,2021

赵欢,《X型X秀》,布面油画 , 50x70cmx3,2020

朱可染,《Night-blooming cereus-7》,布面综合材料 ,150x90cm,2021

上海